00:00 - 00:09

[Music]

00:11 - 00:15

what's

00:12 - 00:16

this this is the immediate Fusion step

00:15 - 00:20

away from the

00:16 - 00:24

gate what you heard me you crazy this is

00:20 - 00:28

my base not a base this is a sizeable

00:24 - 00:31

cobra facility and I admire it so I'm

00:28 - 00:33

taking you boys have been relieved thank

00:31 - 00:34

you for your service no no no no I don't

00:33 - 00:38

take orders from

00:34 - 00:40

you didn't Valaria say that now that

00:38 - 00:42

makes me wonder what else I don't know

00:40 - 00:44

about your affiliation with the drug

00:42 - 00:48

lord what the [ __ ] did you just say to

00:44 - 00:52

me P the of L briefs don't do that don't

00:48 - 00:54

do that no one needs to get hurt here

00:52 - 00:55

are you threatening US soldier I don't

00:54 - 00:59

make

00:55 - 01:01

threats I make guarantees so let's not

00:59 - 01:03

do this

01:01 - 01:06

I'm calling shepher General Shephard

01:03 - 01:08

sends his regards he told me all

01:06 - 01:10

wouldn't take this well he knows about

01:08 - 01:12

this he's put me in command of this

01:10 - 01:15

operation from here on out so yall need

01:12 - 01:17

to stand down it's time to let the pros

01:15 - 01:19

finish this why the hell are we talking

01:17 - 01:23

like this is some kind of negotiation

01:19 - 01:25

it's not I've got my orders and now you

01:23 - 01:29

have yours and who the [ __ ] do you think

01:25 - 01:30

you are cabon my men are inside I'm

01:29 - 01:33

afraid not

01:30 - 01:36

your men have

01:33 - 01:36

been

01:38 - 01:42

detained gra SW the

01:44 - 01:50

[Music]

01:46 - 01:50

[ __ ] hands

01:54 - 02:00

off Go Johnny get out of there so go

02:02 - 02:04

get

02:08 - 02:11

[Music]

02:16 - 02:22

him you there

02:18 - 02:26

ghost that was a big mistake

02:22 - 02:26

brother did not have to be like

02:27 - 02:32

this son of a [ __ ]

02:30 - 02:40

find

02:32 - 02:40

[Music]

02:53 - 03:01

him upstairs I'll check him back head up

02:57 - 03:01

with the back

03:07 - 03:11

let transport to your location for all

03:09 - 03:14

prisoners stand by reinforcements in

03:11 - 03:14

North Plaza

03:15 - 03:24

now this is Bravo 71 in the blind I

03:19 - 03:24

copy of course that's a 71 do you

03:24 - 03:29

copy [ __ ] where are you ghost

03:43 - 03:47

so this is Ghost our

03:47 - 03:50

copy

03:52 - 03:59

Johnny Johnny our

03:54 - 03:59

copy solid thought we lost you

04:04 - 04:11

man in this area you're injured so ghost

04:08 - 04:14

here let's keep contained yeah what's

04:11 - 04:16

the difference life or death sir keep

04:14 - 04:19

your blood and you'll need every drop

04:16 - 04:19

thanks for the tip

04:24 - 04:31

sir let's go this way where are you

04:26 - 04:34

there's a church I'm head to it let's RV

04:31 - 04:37

there you'll need to improvise to

04:34 - 04:40

survive line him up next to his Amigo G

04:37 - 04:46

and Shard are on a killing

04:40 - 04:46

spree looking for Assan Hanan and us

05:02 - 05:06

do

05:03 - 05:06

it [ __ ]

05:12 - 05:17

hell boys found some dirty cops around

05:14 - 05:20

the corner here let's go have a work oh

05:17 - 05:23

joy door locked look for supplies things

05:20 - 05:25

you can make tools with welcome to

05:23 - 05:28

gorilla

05:25 - 05:33

Warfare creeping Jesus what are you

05:28 - 05:37

saying blood B bastard found a rope

05:33 - 05:37

that's a start keep

05:45 - 05:50

looking look off a f blade tie off the

05:47 - 05:52

blade with a rope and pry open a door

05:50 - 05:56

sounds like you've done this before

05:52 - 05:56

years of practice

06:21 - 06:26

busted the P blade through the door

06:23 - 06:30

affirmative good stay on the Hun

06:26 - 06:30

there'll be more where that came from

06:34 - 06:38

[Music]

06:38 - 06:42

I will feed you to the [ __ ] na kid

06:40 - 06:45

get him out of here let's go come on

06:42 - 06:47

you're with me quiet come on look what

06:45 - 06:50

we got

06:47 - 06:54

here tenos M

06:50 - 06:56

Poli cops helping cartels let's show

06:54 - 06:58

them how we handle corruption yeah happy

06:56 - 07:01

to

06:58 - 07:03

Sir will kill you for this oh no no Elsa

07:01 - 07:05

num is no bueno right now Migo you cut

07:03 - 07:09

your [ __ ] head

07:05 - 07:09

off shut the

07:09 - 07:15

[ __ ]

07:11 - 07:18

noing bloody

07:15 - 07:18

Jesus this is going to

07:20 - 07:23

look

07:24 - 07:31

tortur found a headlamp not too far from

07:27 - 07:33

his get him out of here give his good

07:31 - 07:35

careful with it can light your way but

07:33 - 07:37

attract

07:35 - 07:40

attention what's the latest marks are

07:37 - 07:42

killing everything in their path war

07:40 - 07:46

crimes makes me want to commit a few war

07:42 - 07:47

crimes of my own tyranny the one stand

07:46 - 07:50

we'll get a green light to go after

07:47 - 07:53

these guys no more green lights Johnny

07:50 - 07:56

we're on our own

07:53 - 07:58

alive what about lawell laswell's close

07:56 - 08:01

with Shepherd calling her as a nogo

07:58 - 08:01

until we learn more

08:01 - 08:06

I still trust lwell she's always been

08:04 - 08:08

with us be careful who you trust

08:06 - 08:11

Sergeant people you know can hurt you

08:08 - 08:13

the most good advice LT I want to be

08:11 - 08:15

like you and I grow up you want to be

08:13 - 08:15

better than me

08:16 - 08:21

Johnny maybe I already am now was your

08:19 - 08:25

chance to prove it think I'll live that

08:21 - 08:25

long probably not

08:52 - 08:56

[ __ ]

08:53 - 08:59

Bells going on up there going to go

08:56 - 08:59

check it out

09:05 - 09:10

I don't see anything I'll stick around

09:08 - 09:10

just in

09:22 - 09:28

case you see the cage dog big Giza if he

09:26 - 09:29

barks shoot him and repo quickly don't

09:28 - 09:32

get compromised

09:29 - 09:35

you are Stone Cold Simon why is two legs

09:32 - 09:35

and

09:35 - 09:41

Blades don't tell me off a dog I asked

09:38 - 09:41

you not to tell

09:55 - 10:02

me give me a

09:57 - 10:05

sitre outside GED Ali stick to the edges

10:02 - 10:05

and stay low

10:05 - 10:12

copy you may get a brag rag for this a

10:09 - 10:15

medal chest

10:12 - 10:18

candy I deserve one you said you wanted

10:15 - 10:22

a win congratulations you're a

10:18 - 10:24

winner I be your head English McTavish

10:22 - 10:30

sorry sir let me

10:24 - 10:30

translate go [ __ ] yourself much better

11:07 - 11:10

church is on the north side of the

11:12 - 11:16

city I've set up a sniper position in

11:14 - 11:19

the church Tower find your way there and

11:16 - 11:23

you might just make it stop

11:19 - 11:25

resisting res make you are making a

11:23 - 11:28

mistake [ __ ]

11:25 - 11:30

Grande you like working for Naros

11:28 - 11:32

territory

11:30 - 11:36

huh you like

11:32 - 11:39

money hey narrow ombre

11:36 - 11:43

please Graves is rounding up cops he's

11:39 - 11:43

judge jury and executioner

11:45 - 11:50

now good for a

11:47 - 11:50

distraction

11:53 - 11:58

out you should black this thing talk

11:56 - 12:01

everyone's going to end up dead you get

11:58 - 12:02

scared de I'm not [ __ ] scared bro I'm

12:01 - 12:06

not stupid

12:02 - 12:08

either moving over there it's quiet here

12:06 - 12:11

n got out of

12:08 - 12:13

Dodge not them I'm worried about anyway

12:11 - 12:15

the hell I think said you're not scared

12:13 - 12:18

I'm worried CH the ball different word

12:15 - 12:21

like a charm told you pay attention you

12:18 - 12:21

just might learn

12:24 - 12:31

something trap could be a way to use

12:27 - 12:34

this surprising useful as a trigger s

12:31 - 12:38

something off exactly Johnny not an air

12:34 - 12:38

strike but it will do

13:03 - 13:10

skirs it's call it

13:06 - 13:10

Kess that's all I

13:10 - 13:14

know I can work with

13:21 - 13:24

themike

13:28 - 13:34

watch come and de some wax LT could

13:31 - 13:34

prove useful

14:01 - 14:05

got eyes

14:27 - 14:34

open what the the [ __ ] was

14:31 - 14:34

that might have

14:36 - 14:40

something that's a keeper you

14:44 - 14:50

good what's your

14:46 - 14:50

status no sign of

14:52 - 14:58

them all

14:55 - 15:01

clear found some chemicals T them up

14:58 - 15:04

with some wax you got a smoke bomb toxic

15:01 - 15:08

distraction open

15:04 - 15:10

up ghost you're Ming a knife several I

15:08 - 15:12

think I found one some of the Dead

15:10 - 15:15

Shadows a more handiwork you came

15:12 - 15:18

through here on my way to the church and

15:15 - 15:21

you left me I'm used to working Al much

15:18 - 15:22

for no man left behind just get yourself

15:21 - 15:25

to the church trying to keep you alive

15:22 - 15:29

and get you here in one piece one of us

15:25 - 15:29

needs to survive to tell the tale

15:36 - 15:41

taking a shine to me then not in the

15:38 - 15:44

slightest we got a lot of ground to

15:41 - 15:48

cover kill the shadow

15:44 - 15:48

nice took his gun good

15:50 - 15:53

working come

15:54 - 16:02

on ghost all clear appears to be stay on

15:59 - 16:05

guard and keep moving to the church all

16:02 - 16:07

feeling weak are you bit shaky soor yeah

16:05 - 16:09

Braves tried to kill us would stand to

16:07 - 16:14

reason if you were a little off find a

16:09 - 16:14

steim it'll give you a boost

16:30 - 16:36

that's passionate down out here speak

16:32 - 16:39

English it's raining [ __ ] hard then

16:36 - 16:41

say so I did rain's good it will cover

16:39 - 16:44

Your Tracks covers theirs too let's

16:41 - 16:47

worry about you Johnny so you do like me

16:44 - 16:47

I like you

16:49 - 16:55

alive moving inside check take what you

16:53 - 17:00

need to keep them off you

16:55 - 17:04

sweet Don't Mind If I Do

17:00 - 17:06

now we're in business ghost soap found a

17:04 - 17:08

trip wire rip to a shotgun disarmed it

17:06 - 17:10

took the gun Open Hearts and Minds with

17:08 - 17:10

the

17:17 - 17:24

Johnny Johnny Graves is burning the

17:20 - 17:24

midnight oil to find us

17:24 - 17:29

why Graves and Shepherd are both

17:27 - 17:31

involved the matter

17:29 - 17:33

that is an unprecedented amount of

17:31 - 17:35

[ __ ] we need to get to the bottom of

17:33 - 17:38

it accurate and deadly fire tends to

17:35 - 17:40

resolve these things right now we're not

17:38 - 17:43

safe here right now we're not safe

17:40 - 17:43

anywhere

17:44 - 17:47

[Music]

17:49 - 17:57

outty picked up some tape very useful if

17:53 - 18:00

I have to rra a gift so to speak hold on

17:57 - 18:00

to it

18:26 - 18:32

I'm in the coffee shop get a t [ __ ]

18:35 - 18:41

Brits you're going to owe me for this

18:38 - 18:45

why we're fixing each other's problems

18:41 - 18:48

what's my problem The Mask take it off

18:45 - 18:52

show my face yes sir negative are you

18:48 - 18:59

ugly quite the opposite I doubt that

18:52 - 19:02

[Music]

18:59 - 19:07

seeking you shall find what you got

19:02 - 19:07

black podder nice this could get

19:26 - 19:30

interesting why now

19:44 - 19:50

you too check out that warehouse guy's

19:47 - 19:51

got no gun he won't get far he's 141

19:50 - 19:53

still

19:51 - 19:57

dangerous go left I'll clear the alley

19:53 - 20:00

Roger on it you here not too late to

19:57 - 20:03

surrender Johny sounds the tunnels one

20:00 - 20:05

leads out across from the church for

20:03 - 20:05

[ __ ]

20:12 - 20:15

sake going to find

20:25 - 20:30

you where'd you [ __ ] go

20:40 - 20:45

still out Roy so far so good holy

20:49 - 20:53

hell the hell is

20:55 - 21:01

that we got a man down it's shame a

21:39 - 21:42

what

21:42 - 21:49

the no sign of

21:46 - 21:49

them

21:51 - 21:59

that I know you're

21:54 - 21:59

close got you

21:59 - 22:01

we've got

22:11 - 22:17

wounded ghost talk to me Johny I found

22:14 - 22:19

the tunnel the church plaz is on the

22:17 - 22:22

other end of the tunnel push through

22:19 - 22:22

you're nearly

22:22 - 22:26

here I'll kill the

22:30 - 22:33

F

22:55 - 23:00

cover there he is

23:00 - 23:03

oh

23:32 - 23:35

[Applause]

23:47 - 23:50

Miss

24:02 - 24:09

you got eyes on the church all good

24:06 - 24:12

you're on the right track keep

24:09 - 24:14

coming I think I found a way through LT

24:12 - 24:16

Shadows are everywhere I'll hold them

24:14 - 24:19

off until we RV in front of the church

24:16 - 24:23

and secure a vehicle for exit Roger then

24:19 - 24:23

give him help Johnny we're almost

24:24 - 24:29

there

24:26 - 24:31

[ __ ] get down off Shadow stations got

24:29 - 24:32

one near the

24:31 - 24:36

[Applause]

24:32 - 24:38

church holy hell G was that you who else

24:36 - 24:38

now

24:52 - 24:58

go your bloody

24:55 - 25:00

break h

24:58 - 25:02

got company in the church and they are

25:00 - 25:07

not here for forgiveness get to the

25:02 - 25:07

steps I'll be there copy OT

25:40 - 25:43

down

25:48 - 25:54

ghost we need a vehicle on

25:51 - 25:59

me stay sharp they know we're here and

25:54 - 25:59

they know it's us they'll send more

26:02 - 26:06

contact watch The

26:07 - 26:13

Alley stay close heads up for a vehicle

26:10 - 26:13

we can

26:25 - 26:30

take so pick up track ahead

26:29 - 26:34

see

26:30 - 26:34

it get to

26:35 - 26:42

it left Target

26:38 - 26:42

acqu Don't Shoot Me you

26:52 - 26:57

bastard I'll drive Johnny take shotgun

27:01 - 27:10

all right Johnny you made it we made it

27:06 - 27:10

LT go

27:11 - 27:17

[Applause]

27:13 - 27:22

fast that's one way of doing it get

27:17 - 27:22

back thanks drive for

27:27 - 27:31

us for

# Unraveling the Tension: A Deep Dive into Military Negotiation and Tactical Warfare

In this gripping narrative, the underlying themes of military negotiation and tactical warfare manifest through intense dialogue and high-stakes action. With a coalition of military operatives navigating a drug-lord-infested territory, the story unfolds layers of betrayal, strategy, and the quest for survival. Central to this tale are the critical themes of "military negotiation" and "tactical warfare," which guide the interactions and decisions of the characters as they face danger and deception.

## The Setting: A Battle-Worn Environment

The backdrop of this narrative is a sizeable Cobra facility that is not only significant in its physical presence but also steeped in tension and conflict. The discussion of military negotiation begins as soldiers grapple with orders from higher-ups against the chaos from drug lord affiliations. This mix of politics and warfare sets the stage for the intense interactions that follow.

### Key Characters in the Military Negotiation

1. **Ghost**: A seasoned operative who showcases the intricacies of leadership and tactical acumen under pressure.
2. **Johnny**: A new recruit eager to prove himself, navigating the maze of military expectations and moral ambiguities.
3. **General Shepherd**: A commanding figure who influences the course of action with critical information regarding their enemies.

As the characters engage in military negotiation, subtle power dynamics shift, revealing motivations and strategies layered within their dialogue.

## The Art of Military Negotiation

Military negotiation is not merely about reaching a consensus; it often entails manipulating the information and exerting control over circumstances. Here, Ghost's interaction with Johnny highlights the importance of trust and the often fraught state of allegiances in the face of betrayal.

### Navigating Conflict and Chaos

The dialogue constantly oscillates between threats and guarantees, showcasing the tension inherent in military negotiations. Ghost emphasizes, "I don’t make threats; I make guarantees." Such statements illustrate a hardened resolve necessary for survival amidst chaos, while simultaneously shedding light on the heavy burden of leadership.

## Tactical Warfare: Tools of Survival

In the violent landscape of tactical warfare, the characters must adapt to their surroundings and use available resources to forge a path to safety. Allusions to survival gear, weaponry, and improvised tools portray the gritty reality of warfare.

### The Role of Creativity and Ingenuity

For instance, when the characters find themselves faced with a locked door, the narrative delves into the creativity required for survival. Ghost’s suggestion to craft a tool from available materials speaks volumes about the necessity of adaptability in the heart of tactical warfare.

## Building Trust Amidst Betrayals

As the story unfolds, moments of camaraderie between Ghost and Johnny are punctuated by reminders of the dangers inherent in trust. Ghost warns, "Be careful who you trust, Sergeant; people you know can hurt you the most." This aphorism rings true in high-stakes scenarios, underscoring the precarious nature of alliances in military operations.

### The Final Push

As the climax builds, the urgency escalates. The battle scenes are meticulously crafted, enhancing the suspense as the characters navigate through enemies and obstacles. The intertwining of military negotiation with raw action creates an engaging paradox: survival often hinges not solely on brute force, but on the capacity to negotiate through chaos.

## Conclusion: The Price of Survival

The story concludes with the characters narrowly escaping their chaotic environment, a testament to their resourcefulness and strength. However, the real takeaway is the harsh truth woven throughout—the world of military negotiation and tactical warfare is perilous, often entrapping individuals in a cycle of violence and deception.

In a world where motivations are shrouded in darkness, the ultimate question remains: Who can one trust when every alliance could lead to betrayal? As they navigate through the treacherous landscape, the characters leave us pondering the costs of survival and what it truly means to emerge victorious amidst chaos.