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if you have a 90 mm micro lens and a 30

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mm micro lens and put them together do

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you think it makes a 120 mm micro

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lens today I'll be switching from my

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favorite 90 mm focal length to a much

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wider 30 mm focal length and try to see

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which one gives the best result in

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different scenarios I'll be pairing

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these with the om1 micro for3d camera

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some lighting and my reversible column

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tripod so my goal today is to experiment

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with a new focal length I never used

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before which is the 30 mm macro I'm also

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going to show you some interesting

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camera features like Focus tacking and

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focus bracketing and hopefully we all

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going to learn something today now let's

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go in the forest and see what we can

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find

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[Music]

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just found the first subject right there

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which is a mushroom growing out of this

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tree stump so the first thing I'm going

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to do here is work and L with my camera

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and try to find an interesting

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composition before putting the camera on

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the tripod so I'm going to guide you

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through what I'm seeing in terms of

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composition I think there's a lot of

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distraction in the background so maybe

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if I'm moving a little bit

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lower you know just like that you can

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see how much the subject is now

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separated from the background and I

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think in macrophotography well in any

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types of Photography uh you really want

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to isolate your subject so as you can

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see moving a little bit more this way I

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think I just found something really

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interesting right there look at this

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small plane leaning towards the mushroom

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I think it's going to balance the shot

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yeah I think it's going to be something

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just like

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that so what I'm going to do now I

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always like to under expose the shot

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slightly probably around two stops to

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get some space to add light without you

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know overexpose using the shot I'm going

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to put one light on the right side right

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there and you're going to be able to see

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in real time the effect of the light

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because I want to

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illuminate the side of the stem right

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there and this small plane try to show

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you how small movement can really really

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do a big

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difference so if I'm moving the light a

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little bit more this way I think it gets

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too much of the background right there

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so I'm going to fit it probably just

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like that so as you can see with one

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light only you can really do some magic

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here so now I'm going to show you with

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the other light so in terms of the

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height

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here right there you can see the

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difference I think this is a little bit

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too high going to try to get it a little

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bit lower so it lit

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up you know the bottom of the

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stem right there look at the difference

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a little higher a little lower I think

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that's the perfect spot in terms of

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setting here I'm going to focus tag the

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image because I want to keep that

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background really really soft but

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obviously I could have used an f11

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aperture to get the whole Mushroom in

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Focus but I would have lose the soft

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background so in the camera menu you

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have the focus tacking feature which

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usually do everything in camera but for

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this shot and going to use Focus

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bracketing so I'm going to put Focus

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bracketing on after that you can set the

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number of shot I'm going to set it to 15

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Shot 2 second timer to make sure I don't

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introduce any

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shake so now that I tried the 30 mm lens

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with this subject I'm just going to

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quickly swap the lens and see the

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difference it makes with a 90 mm so as

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you can see now I'm a little bit further

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from the subject because obviously I'm

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using the 90 mm to be fair I use the

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same lighting so I didn't change

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anything with the light positioning

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because I want to do a fair comparison

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to know to see

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which which of the lens give the better

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effect because I think they're both

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completely different shots I thought it

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would be the 30 mm but now with this

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angle I'm not sure so what I love to do

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when I'm Focus bracketing is always make

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sure I'm focusing on the closest part to

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the lens of the subject and then hit the

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shutter and let the camera do the rest

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[Music]

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all right so look what we have here an

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interesting mushroom a dark mushroom

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growing out of this fallen tree so for

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this composition I chose the 30 mm macro

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because I want to incorporate a little

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bit more of the scene and I think if I'm

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using the 90 mm it's going to compress

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the shot a little bit too much and we're

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not going to be able to see you know all

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the details around the mushroom so

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basically what I'm thinking about I

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think I'm going to get a little bit

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lower because I want to see the bottom

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of the mushroom because the white gills

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are pretty interesting so it's going to

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be something like that so now I'm going

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to get my tripod and play with some

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lights so what I like to do is always

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start with one light at a time because

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other than that everything's going to

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get messed up and it's going to kind of

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be hard you know to see which light have

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which effect on the subject another

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thing to keep in mind is always

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underexpose the scene a little bit in

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order to make some room for these lights

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I'm going to start with a yellow tinted

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light just to get some nice halo around

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the subject all right so now I'm going

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to stick this right

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there all right so I think it looks

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pretty good now but there's something

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missing on this side I think it's too

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dark so I'm going to fill it with

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another light just like this one all

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right so that looks pretty cool in terms

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of composition like the lighting so now

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what I'm going to do I'm going to focus

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tack the image but I think I'm going to

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use the internal focus stacking feature

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because it's going to give me an idea of

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how many shots I need to get the

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mushroom all in focus and then I'm going

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to focus bracket the image because

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personally I like to do it manually in

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postprocessing so again it's important

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to focus on the closest part of the

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subject to your lens and then the focus

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stacking is going to go throughout the

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mushroom I think this feature is great

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for those you know who like to take a

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lot of shot

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and don't like to take a lot of time in

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[Music]

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postprocessing all right since it's a

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micro for3d

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camera I think it's important to mention

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that it is not really a 30 mm lens or a

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90 mm lens but the equivalent is more of

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for the 90 mm it's 180 mm focal length

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and the 30 is a 60 so really what I

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meant in the beginning of the video when

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I said that my favorite focal length was

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90 mm I was more trying to say that I

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love longer focal length rather than uh

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wider length but it might change

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today all right so now we're back where

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we

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started and I'm not getting inspired I'm

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not seeing anything what I think I'm

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going to do I'm going to start Gathering

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stuff on the ground put it on the bridge

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and try this longer focal length and may

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maybe make a little miniature studio

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right on top of the bridge yeah let's do

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that I finally settled on what will be

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my next subject it's going to be this

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small tiny Branch with the small cocoon

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on it not sure if it's a cocoon anyways

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I'll write it down right there and this

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piece of moss that I'm probably going to

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use as the background try to get

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something steady here there's a lot of

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moss on the ground and the ground is

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really really soft so I'm going to need

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to dig the leg of the tripod in to make

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sure everything is nice and steady let's

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start with this small LED light just to

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L up the side of the subject something

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just like that now I'm going to use

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another light and try to create some

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highlight in the background so I'm going

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to put it behind the

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mouse maybe

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something something just like that

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obviously there's something missing I

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want to lit the front part of the

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subject a little bit more and maybe the

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side of the stem and now I'm going to

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use my ab to dial in the correct

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intensity for the lights again I'm going

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to focus bracket the image I'm going to

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focus on the closest part of the subject

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just like that hit the shutter button

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again let the camera do the

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rest all right so now just to make a

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comparison between the two focal length

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again I just swap the lens to the 30 mm

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lens and obviously I had had to get a

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little bit closer in order to fill the

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frame with the subject similar to The

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Last Shot uh and for this one instead of

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using the focus bracketing uh I'm going

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to use the in camera focus stacking

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because I don't want to put too much

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time on this shot because I know the

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other one's going to be better and let

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me know in the comment which one of the

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two you prefer all right so which lens I

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prefer the 30 mil versus the 90 mm I'm

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Still Loving more than 90 mm or the

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longer focal length should I say but the

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30 m I think is really interesting if

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you want to incorporate a little bit

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more of the surrounding and you know get

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a little bit more context around your

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subject I think it's fun to have in your

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bag probably you know to experiment

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because photography is all about

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experimentation the biggest takeaway I

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think I have today is not even about the

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focal length itself but more about the

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lightweight of this system you know I'm

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carrying a lot of gear making these

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videos and I can see how cool having

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something that light in my bag can be at

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least for my shoulders

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[Music]

Exploring Macro Photography with 30mm and 90mm Lenses

In today's photography adventure, we delve into the world of macro photography by comparing the results obtained using a 30 mm micro lens and a 90 mm micro lens. The aim is to determine which focal length best suits various scenarios. Equipped with an OM-1 Micro For3d camera, lighting accessories, and a versatile tripod, the goal is to experiment with the 30 mm focal length, uncharted territory for the photographer.

Macro Photography in the Forest

Venturing into a forest setting, the photographer discovers a fascinating subject - a mushroom emerging from a tree stump. To capture the image effectively, attention is given to composition. By adjusting the camera angle and utilizing lighting, the objective is to isolate the subject from the distracting background. The process includes precisely positioning the lighting to illuminate specific parts of the mushroom, showcasing how subtle adjustments can significantly impact the final image. Experimenting with features like Focus Tracking and Focus Bracketing enhances the photographer's skills and understanding of the camera capabilities.

Embracing Different Focal Lengths

Transitioning from the 30 mm lens to the 90 mm lens presents a fresh perspective. The switch is accompanied by a shift in shooting position to maintain consistency in lighting and composition. Each lens offers a unique view of the mushroom, revealing varied levels of detail and background compression. Through the practice of Focus Bracketing, the photographer explores the nuances of each focal length, comparing the results to determine the most favorable lens for macro photography.

Creating Miniature Scenes

Continuing the exploration, a new subject - a small branch with a cocoon and moss - sets the stage for a miniature studio setup. By strategically placing LED lights and adjusting their intensity, the photographer crafts a dynamic composition, highlighting different aspects of the subject. Utilizing Focus Bracketing once again, the image is captured with precision and attention to detail, showcasing the versatility of macro photography techniques.

The Focal Length Verdict

Reflecting on the day's experiments, the photographer shares insights on the 30 mm versus 90 mm dilemma. While the 90 mm lens remains a preferred choice for its ability to capture detailed close-ups with a narrower field of view, the 30 mm lens offers a broader perspective, ideal for incorporating more context into the frame. The experience underscores the importance of experimentation in photography and the benefits of lightweight equipment for on-the-go shooting adventures.

Through the lens of macro photography, this journey not only provides valuable insights into focal lengths and camera features but also highlights the creative possibilities that await when exploring the world up close. Remember, in photography, the joy lies not just in the destination but in the discoveries made along the way.