00:01 - 00:06

hello and welcome to getting started

00:04 - 00:08

with a light motion in this video you'll

00:06 - 00:10

see just how easy it is to make

00:08 - 00:13

impressive eye-catching animations on

00:10 - 00:15

your phone we'll show you how to animate

00:13 - 00:17

the basic layer types and how to use

00:15 - 00:20

effects and shadows to add polish to

00:17 - 00:21

your projects by the end of the tutorial

00:20 - 00:24

you'll be able to recreate everything

00:21 - 00:25

you see here in this example nature

00:24 - 00:27

video

00:25 - 00:29

you'll see that when it comes to working

00:27 - 00:32

with layers in a light motion there are

00:29 - 00:34

three simple steps add adjust and

00:32 - 00:37

animate for example We'll add the

00:34 - 00:39

snowflake adjust its color and timing

00:37 - 00:41

and animate it with keyframes and then

00:39 - 00:43

we'll simply repeat the process for the

00:41 - 00:46

other elements in the video so here we

00:43 - 00:46

go

00:48 - 00:53

start a new project by tapping the new

00:50 - 00:55

project button go ahead and give your

00:53 - 00:57

project a super cool name don't worry

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you can always change it later

00:57 - 01:02

a light motion supports a variety of

00:59 - 01:04

aspect ratios resolutions and frame

01:02 - 01:08

rates for this project we want to use

01:04 - 01:10

the 4x5 aspect ratio why it's great for

01:08 - 01:13

General Social content especially

01:10 - 01:17

Instagram posts next set the resolution

01:13 - 01:18

to 1080P and the frame rate to 30 frames

01:17 - 01:21

per second check that the background

01:18 - 01:23

color is light gray and tap create

01:21 - 01:23

project

01:23 - 01:28

this is the editing screen let's take a

01:26 - 01:30

quick tour of the main parts the

01:28 - 01:32

navigation bar is at the top and that's

01:30 - 01:34

where you can change the project title

01:32 - 01:36

adjust settings and share your project

01:34 - 01:38

then you have the preview of your

01:36 - 01:41

project below the preview you'll find

01:38 - 01:42

the control bar and below that is the

01:41 - 01:45

timeline which includes the playhead

01:42 - 01:45

indicating the current preview and edit

01:45 - 01:48

time

01:45 - 01:50

the playhead is currently at zero

01:48 - 01:52

seconds zero frames because the project

01:50 - 01:54

is empty finally at the bottom of the

01:52 - 01:56

screen is the add layer button which

01:54 - 01:59

opens the add layer panel from this

01:56 - 02:02

panel you can add a variety of layers to

01:59 - 02:05

your project the tabs provide access to

02:02 - 02:08

shapes media audio objects such as

02:05 - 02:10

cameras and elements and you can also

02:08 - 02:13

directly add freehand drawings vector

02:10 - 02:15

drawings and text layers to close the

02:13 - 02:17

add layer panel just tap anywhere

02:15 - 02:20

outside of it before you start working

02:17 - 02:22

on the project take notes of the undo

02:20 - 02:25

and redo buttons they'll come in handy

02:22 - 02:25

in case you make a mistake

02:25 - 02:28

foreign

02:29 - 02:34

let's add our snowflake this is one of

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the built-in shapes in a light motion so

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just tap the add layer button and the

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add layer panel will open with the

02:38 - 02:43

shapes tab already selected just swipe

02:41 - 02:45

right and tap the snowflake to add it to

02:43 - 02:47

the project timeline

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newly added layers are automatically

02:47 - 02:52

selected but let's take a quick look at

02:50 - 02:55

how to select and deselect layers to

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deselect a layer tap in the preview or

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on an empty part of the timeline to

02:58 - 03:03

select a layer tap it or its thumbnail

03:00 - 03:05

on the timeline or tap the layer in the

03:03 - 03:07

preview you can also swipe your finger

03:05 - 03:09

across the preview onto the layer you

03:07 - 03:11

want is highlighted in red then lift

03:09 - 03:13

your finger to select it when the

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snowflake layer is selected it'll have a

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white outline to move a selected layer

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swipe anywhere on the preview

03:18 - 03:23

some shapes in the shapes browser like

03:21 - 03:25

this snowflake are actually vector

03:23 - 03:28

drawings while they're selected you can

03:25 - 03:31

tap edit points to move or animate each

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point individually

03:31 - 03:35

some shapes have handles you can drag to

03:33 - 03:37

intelligently control their features you

03:35 - 03:39

can also adjust them in the edit shape

03:37 - 03:42

panel

03:39 - 03:44

let's adjust the snowflake by changing

03:42 - 03:47

the color the scale and the layer timing

03:44 - 03:49

and duration first let's change the

03:47 - 03:52

color make sure the snowflake layer is

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selected then tap color and fill you can

03:52 - 03:55

change the color by selecting it from

03:54 - 03:58

the palette picking it from the screen

03:55 - 04:01

with the eyedropper or using one of the

03:58 - 04:03

color Pickers whatever works for you

04:01 - 04:05

adjust the snowflake scale by tapping

04:03 - 04:08

the layer to select it and then by

04:05 - 04:10

tapping on move and transform this panel

04:08 - 04:12

is where you can adjust or animate the

04:10 - 04:16

scale of a layer as well as its position

04:12 - 04:18

pivot rotation and skew go ahead and tap

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on the scale button then swipe on the

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slider to make the snowflake roughly the

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size shown on screen

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in the example project we're creating

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the snowflake layer starts at the half

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second Mark and ends at the three second

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Mark so here's how to do that we can

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control the time when the snowflake

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appears by moving the layer on the

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timeline one way to do this is to long

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press the layer in the timeline and drag

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it we want it to appear a half second

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after the start of the animation so drag

04:45 - 04:49

the layer to the 15 frames mark because

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we gave the project a frame rate of 30

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frames per second 15 frames are exactly

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half a second a layer disappears when it

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ends on the timeline adjust this by

04:58 - 05:01

dragging the handle at the right hand

04:59 - 05:04

end of the layer that appears when the

05:01 - 05:06

layer is selected let's make the layer

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end at the three second Mark giving it a

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total duration of two and a half seconds

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so now our snowflake is the right size

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and color it appears at the right time

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and it has the right duration so far so

05:17 - 05:19

good

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now that you've made the basic

05:23 - 05:27

adjustments to the snowflake it's time

05:25 - 05:29

to animate here's what the end result

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will look like see how the snowflake

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rotates as it grows from a point and

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then slides up to make room for the text

05:34 - 05:38

but before we dive into how to do this

05:36 - 05:41

here's a quick overview of animating

05:38 - 05:43

with keyframes keyframes are the most

05:41 - 05:45

important Concept in animating with a

05:43 - 05:48

light motion keyframes appear as white

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diamonds on layers in the timeline

05:48 - 05:53

in traditional animation animators draw

05:50 - 05:55

the most importance or the key frames of

05:53 - 05:57

an animation and then draw each

05:55 - 06:00

transitional frame by hand this process

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is called tweening and luckily a light

06:00 - 06:04

motion does it automatically just tell

06:02 - 06:06

the light motion what a layer should be

06:04 - 06:08

doing at importance or key points in

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time and it will calculate and generate

06:08 - 06:12

the intermediate frames let's see this

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in action as we work with the rotation

06:12 - 06:15

scale and position animations one at a

06:15 - 06:18

time

06:15 - 06:21

first let's take care of the rotation

06:18 - 06:23

animation select the snowflake layer tap

06:21 - 06:25

move and transform and then tap the

06:23 - 06:26

rotation icon

06:25 - 06:29

scroll the timeline so the playhead is

06:26 - 06:31

at the 15 frames Mark which is the first

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frame of the layer and then tap the add

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keyframe button a white diamond will

06:33 - 06:37

appear on the layer at the current time

06:35 - 06:40

and just like that you've added a

06:37 - 06:41

keyframe this one tells a light motion

06:40 - 06:44

to give the snowflake layer a rotation

06:41 - 06:47

value of 0 degrees at the 15 frames Mark

06:44 - 06:49

now scroll to the one second Mark where

06:47 - 06:51

we want the rotation to end and set the

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value to 180 degrees at this point

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you've probably noticed a few things

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first a new keyframe has appeared on the

06:56 - 07:00

timeline that's because a light motion

06:58 - 07:02

automatically adds a new keyframe

07:00 - 07:03

anytime you change the property for

07:02 - 07:06

example rotation

07:03 - 07:08

as long as that property already has at

07:06 - 07:10

least one keyframe on the timeline and

07:08 - 07:12

second you'll see that the keyframe is

07:10 - 07:14

highlighted in green which means it's

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selected and you can adjust its values

07:14 - 07:18

scrolling the timelines of the playhead

07:16 - 07:20

is at the same time as the keyframe will

07:18 - 07:21

select the keyframe causing it to be

07:20 - 07:23

highlighted in green

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let's take a look at your animation so

07:23 - 07:26

far

07:24 - 07:29

scroll to the beginning of the timeline

07:26 - 07:31

then tap the play button look at that

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spin another way to quickly get to the

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beginning or the end of the timeline or

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selected layer is by using the skip

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buttons

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with these buttons you can also jump to

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the nearest keyframe or to a bookmark on

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the timeline

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if you want to add or remove a bookmark

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simply tap the top of the playhead

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now that you've made this snowflake spin

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it's time to make it grow

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to the one second mark on the timeline

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then open move and transform and tap the

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scale icon

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you'll notice that the rotation

07:59 - 08:03

keyframes on the layer become faint as

08:01 - 08:05

we work on a different property that's

08:03 - 08:07

because each property has its own

08:05 - 08:09

keyframe or set of keyframes which means

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a layer can have lots of different

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animations happening at once so the goal

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is to animate the snowflake so it grows

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from a tiny point to its current size

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the easiest way to do this is by adding

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the final scale keyframe first at the

08:22 - 08:26

one second mark

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then scroll back to the 15 frames Mark

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and swipe the scale spinner to zero

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if you see two spinners instead of one

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it means you're resizing horizontally

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and vertically separately in that case

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just tap this link icon to switch so

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you're resizing them together you now

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have two scale keyframes on the layer in

08:42 - 08:46

addition to the rotation keyframes so

08:44 - 08:48

when you play back the animation you'll

08:46 - 08:51

see the snowflake simultaneously growing

08:48 - 08:53

and spinning cool right

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now it's time to make the snowflake move

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upward to create room for the text to do

08:55 - 09:00

this tap on the position icon you can do

08:58 - 09:03

two things with the position property

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edit the position of the layer or edit

09:03 - 09:07

its pivot point in case you accidentally

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switch to Pivot Point editing mode just

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tap on the position icon again

09:11 - 09:15

scroll the timeline to the one second

09:13 - 09:18

Mark and add a keyframe for the start of

09:15 - 09:19

the position animation then move to the

09:18 - 09:21

two second Mark and swipe the control

09:19 - 09:24

pad upward to move the layer up

09:21 - 09:25

the exact value doesn't matter as you

09:24 - 09:27

can adjust it when you add the text

09:25 - 09:28

later

09:27 - 09:30

there should now be a second position

09:28 - 09:32

keyframe on the timeline

09:30 - 09:34

this is a good time to point out that

09:32 - 09:37

when you're creating or editing position

09:34 - 09:38

animations and move and transform you

09:37 - 09:40

need to move the layer with the control

09:38 - 09:43

pad rather than by swiping in the

09:40 - 09:45

preview here's why moving a layer with

09:43 - 09:47

the control pad adds new keyframes or

09:45 - 09:49

modifies existing keyframes if they're

09:47 - 09:51

highlighted while moving a layer by

09:49 - 09:54

swiping in the preview moves all of the

09:51 - 09:56

position keyframes at once so if you

09:54 - 09:57

don't see two position keyframes and

09:56 - 10:00

Alignment the snowflake layer is

09:57 - 10:02

selected it's probably because you move

10:00 - 10:04

the layer with the preview in this case

10:02 - 10:07

simply put that undo button to good use

10:04 - 10:09

and try again using the control pad

10:07 - 10:11

with the position keyframe set you've

10:09 - 10:13

added all the keyframes needed to

10:11 - 10:14

animate your Snowflake and now we can

10:13 - 10:18

have some fun playing around with the

10:14 - 10:18

motion to make it more natural

10:20 - 10:25

take a second to play your whole project

10:22 - 10:28

back notice how the motion looks a bit

10:25 - 10:30

jerky in real life objects tend to

10:28 - 10:33

change velocity gradually continuously

10:30 - 10:35

speeding up and slowing down rather than

10:33 - 10:38

moving at a constant rate in animation

10:35 - 10:41

this kind of natural gradual change of

10:38 - 10:43

speed is called easy and it's easy to

10:41 - 10:44

apply it to any keyframe animation in a

10:43 - 10:46

light motion

10:44 - 10:49

let's start with the rotation animation

10:46 - 10:51

where the snowflake layer selected tap

10:49 - 10:55

move and transform and then the rotation

10:51 - 10:57

icon from there tap the easing button in

10:55 - 10:59

the easing panel you'll see a green line

10:57 - 11:01

with two handles if you don't see the

10:59 - 11:03

line make sure to scroll the timeline so

11:01 - 11:05

the playhead is between the two rotation

11:03 - 11:08

keyframes you can select the easing type

11:05 - 11:09

on the right side of the panel for this

11:08 - 11:11

project leave it set to the option at

11:09 - 11:13

the top

11:11 - 11:15

this is called an easing curve and it

11:13 - 11:17

controls the progression of an animation

11:15 - 11:20

between two keyframes of the same

11:17 - 11:22

property each pair of adjacent keyframes

11:20 - 11:24

has a separate curve the horizontal axis

11:22 - 11:26

represents the time between the two

11:24 - 11:27

keyframes and the vertical axis

11:26 - 11:30

represents the amount of progress

11:27 - 11:31

between the two keyframe values the

11:30 - 11:33

dotted vertical line helps you visualize

11:31 - 11:36

the current playhead position relative

11:33 - 11:38

to the surrounding keyframes a straight

11:36 - 11:41

line indicates linear easing a constant

11:38 - 11:42

rate of change between two keyframes but

11:41 - 11:45

you want the snowflake layer to move

11:42 - 11:47

smoothly by starting slow speeding up

11:45 - 11:48

and then slowing down again at the end

11:47 - 11:51

of the animation

11:48 - 11:52

to create this natural motion manually

11:51 - 11:56

drag the handles or select the

11:52 - 11:58

ready-made ease in ease out curve

11:56 - 11:59

in easing curves more vertical slopes

11:58 - 12:01

indicate that the animation will

11:59 - 12:05

progress more quickly

12:01 - 12:07

and more horizontal slopes more slowly

12:05 - 12:09

as you see the curve we've created

12:07 - 12:11

starts horizontal then becomes vertical

12:09 - 12:14

and then horizontal again as it goes

12:11 - 12:16

towards the right this means the layer

12:14 - 12:17

will start moving slowly speed up and

12:16 - 12:18

then gradually slow down and come to

12:17 - 12:20

rest

12:18 - 12:22

the effect of the changes to the curve

12:20 - 12:24

can be seen in the preview in real time

12:22 - 12:27

go ahead and set the easing for all the

12:24 - 12:29

animations in the move and transform

12:27 - 12:31

panel tap position move the playhead

12:29 - 12:33

between the two keyframes tap easing and

12:31 - 12:35

then set the curve to ease in and ease

12:33 - 12:38

out of the animation then do the same

12:35 - 12:40

for the scale keyframes when you play

12:38 - 12:42

the animation Back see how much smoother

12:40 - 12:44

and more natural it now looks you may

12:42 - 12:46

want to make some more small adjustments

12:44 - 12:48

later but your snowflake is basically

12:46 - 12:50

finished

12:48 - 12:53

let's move on to adding adjusting and

12:50 - 12:53

animating text

12:55 - 13:01

the example project we're creating

12:58 - 13:03

contains two text layers understanding

13:01 - 13:05

and nature let's start by adding the

13:03 - 13:07

nature text layer

13:05 - 13:10

scroll to the one second five frames

13:07 - 13:12

Mark making sure you don't have any

13:10 - 13:15

layer selected tap the add layer button

13:12 - 13:17

then tap text to add an empty text layer

13:15 - 13:19

go ahead and type nature in the text box

13:17 - 13:21

then you can change the font by tapping

13:19 - 13:24

the current font name then view all

13:21 - 13:26

fonts make sure none of the categories

13:24 - 13:28

in the side menu are selected use the

13:26 - 13:30

search button to find Barlow then select

13:28 - 13:33

Barlow bold

13:30 - 13:35

to finish set the font size so it fits

13:33 - 13:36

well on the screen set the alignment to

13:35 - 13:41

Center and then set the color to white

13:36 - 13:41

tap the check mark to finish editing

13:44 - 13:49

let's now animate our nature text layer

13:47 - 13:52

this layer slides in from off screen and

13:49 - 13:54

also fades in over time let's start with

13:52 - 13:57

a sliding animation which should last

13:54 - 14:00

one second so go to the two seconds five

13:57 - 14:02

frames Mark tap move and transform and

14:00 - 14:04

add a position keyframe next scroll to

14:02 - 14:06

the one second five frames Mark and

14:04 - 14:08

swipe on the control pads and move the

14:06 - 14:10

layer off screen to the right

14:08 - 14:13

remember that swiping on the control pad

14:10 - 14:14

adds a keyframe there's also snapping to

14:13 - 14:16

ensure you're moving perfectly

14:14 - 14:18

horizontally you'll see a line appear

14:16 - 14:21

and feel a bump now we want to smooth

14:18 - 14:23

out the animation with easing just like

14:21 - 14:24

we did with the snowflake layer

14:23 - 14:26

with the playhead between the two

14:24 - 14:29

position keyframes tap the easing button

14:26 - 14:31

and choose the third bezier curve this

14:29 - 14:34

will make the animation start quickly

14:31 - 14:36

then smoothly come to a stop

14:34 - 14:39

the next step is to add our fade in

14:36 - 14:41

animation with the layer selected tap

14:39 - 14:43

blending and opacity

14:41 - 14:46

scroll to the one minute 25 frames Mark

14:43 - 14:48

and then tap the add keyframe button

14:46 - 14:50

here we want the text layer to be fully

14:48 - 14:52

opaque then scroll to the one minute

14:50 - 14:54

five frames Mark the first frame of the

14:52 - 14:56

layer and drag the slider left until the

14:54 - 14:58

opacity is zero and the layer completely

14:56 - 15:00

disappears

14:58 - 15:02

our nature text layer animations are

15:00 - 15:02

done

15:05 - 15:09

we can now move on to the animation on

15:07 - 15:11

the understanding layer which is

15:09 - 15:13

basically the same as the nature layer

15:11 - 15:15

the only difference is that they're

15:13 - 15:17

moving in opposite directions

15:15 - 15:19

so after adding the layer will save time

15:17 - 15:21

by copying the style of the layer we

15:19 - 15:23

already animated

15:21 - 15:26

we'll add the understanding layer at the

15:23 - 15:28

same time as the nature layer and the

15:26 - 15:31

text box that appears type understanding

15:28 - 15:34

set the alignment to Center change the

15:31 - 15:35

font to satisfy regular make it so it

15:34 - 15:39

fits well on the screen and tap the

15:35 - 15:39

check mark to finish editing

15:39 - 15:43

let's scroll ahead until we see both

15:41 - 15:44

text layers which will help us edit more

15:43 - 15:46

easily

15:44 - 15:48

leaving the understanding layer gray for

15:46 - 15:50

now will also help

15:48 - 15:52

so here's how to copy the animations

15:50 - 15:55

from the nature layer to the

15:52 - 15:57

understanding layer first tap the nature

15:55 - 16:01

layer to select it then tap the edit

15:57 - 16:03

menu button and then copy layer now

16:01 - 16:05

select the understanding layer go back

16:03 - 16:07

to the edit menu and tap the arrow next

16:05 - 16:09

to paste Style

16:07 - 16:12

we see six icons appear on the screen

16:09 - 16:14

one for each panel in the add layer

16:12 - 16:16

panel we only want to copy the blending

16:14 - 16:19

and opacity and the move and transform

16:16 - 16:23

layer Styles including their animations

16:19 - 16:25

so we turn the rest off and press paste

16:23 - 16:27

you can see that the understanding layer

16:25 - 16:29

now has the same position and animations

16:27 - 16:32

as the nature layer

16:29 - 16:34

time for some final adjustments let's

16:32 - 16:35

select each text layer and swipe on the

16:34 - 16:37

preview so they're centered together

16:35 - 16:39

vertically on the screen remember that

16:37 - 16:41

swiping on the preview lets you move the

16:39 - 16:44

layers entire position animation at once

16:41 - 16:46

without making new keyframes when we Tap

16:44 - 16:48

Play we see that both layers still move

16:46 - 16:50

horizontally

16:48 - 16:53

now we can go ahead and change the color

16:50 - 16:55

of the understanding layer select the

16:53 - 16:57

layer tap on color and fill and change

16:55 - 16:59

the color to white

16:57 - 17:00

the last thing left to change is the

16:59 - 17:03

direction in which the understanding

17:00 - 17:05

layer is moving with the layer selected

17:03 - 17:07

tap on move and transform and use the

17:05 - 17:09

skip buttons to quickly move to the

17:07 - 17:11

first position keyframe

17:09 - 17:13

this keyframe is highlighted in green

17:11 - 17:16

which means that if we swipe on the

17:13 - 17:18

control pad we'll be editing its value

17:16 - 17:20

swiping left we see the line showing the

17:18 - 17:22

layers Movement we can't see the layer

17:20 - 17:24

itself because we've made it invisible

17:22 - 17:27

at the current time

17:24 - 17:28

pressing play we see one layer coming in

17:27 - 17:31

from the left and one from the right

17:28 - 17:34

which is perfect we just need to extend

17:31 - 17:34

the layers to the end of the project

17:37 - 17:42

let's take a bit of time to make some

17:39 - 17:43

minor adjustments to our layers remember

17:42 - 17:46

to edit on the control pad if you want

17:43 - 17:48

to adjust or add an animation or on the

17:46 - 17:49

preview to adjust both the layer and its

17:48 - 17:52

animation together

17:49 - 17:53

for example our project might look

17:52 - 17:55

better if the text layers were offset

17:53 - 17:56

horizontally instead of perfectly sanded

17:55 - 17:58

when they finish

17:56 - 18:00

we can do this by swiping on the preview

17:58 - 18:03

directly to move the layer and its

18:00 - 18:03

animation together

18:03 - 18:07

you can also adjust the position of a

18:05 - 18:09

layer at a particular time in our

18:07 - 18:12

version the snowflake looks a bit too

18:09 - 18:14

high up at the end so in move and

18:12 - 18:16

transform we can scroll to the correct

18:14 - 18:19

keyframe and then swipe down on the

18:16 - 18:21

control pad to move the snowflake lower

18:19 - 18:22

feel free to pause this tutorial and

18:21 - 18:25

keep adjusting until you're happy with

18:22 - 18:25

the results

18:29 - 18:34

now it's time to add the background tap

18:32 - 18:36

the add layer button select image and

18:34 - 18:39

video and choose the image or video you

18:36 - 18:41

want to use for the background layer for

18:39 - 18:43

example this winter scene video works

18:41 - 18:45

nicely but go ahead and use whatever

18:43 - 18:49

video you like you may need to trim the

18:45 - 18:51

video to match the length of the project

18:49 - 18:53

you might have noticed a problem at this

18:51 - 18:56

point the background is covering up the

18:53 - 18:58

other layers to fix that we need to

18:56 - 18:59

change the order of the layers on the

18:58 - 19:02

right side of the timeline there's a

18:59 - 19:03

grip for each layer note that this grip

19:02 - 19:05

is separate from the layer itself and is

19:03 - 19:06

always pinned to the right side of the

19:05 - 19:08

timeline view

19:06 - 19:10

long press the grip for the background

19:08 - 19:13

layer for a short moment then continue

19:10 - 19:14

pressing as you drag it downward to move

19:13 - 19:16

the layer to the bottom of the timeline

19:14 - 19:18

in general layers toward the bottom

19:16 - 19:20

appear in the back while layers toward

19:18 - 19:22

the top appear in the front although

19:20 - 19:25

this ordering can be overwritten when

19:22 - 19:27

working with the z-axis

19:25 - 19:30

we can also bring the snowflake layer in

19:27 - 19:30

front of the text layers

19:31 - 19:35

see how nicely everything's coming

19:32 - 19:35

together

19:41 - 19:46

our animation is basically finished but

19:44 - 19:48

there are lots of small things we can do

19:46 - 19:50

to make our project really pop for

19:48 - 19:53

example adding a slight Shadow can make

19:50 - 19:56

our shape and text layers stand out more

19:53 - 19:58

the snowflake layer to select it and

19:56 - 20:01

then tap on border and Shadow tap the

19:58 - 20:03

shadow Tab and then turn on Shadow set

20:01 - 20:06

the values as you like or use the same

20:03 - 20:10

values now shown on the screen we can

20:06 - 20:10

also add Shadows to the text layers

20:10 - 20:13

and if we want our audience to focus on

20:12 - 20:16

the center of the screen as the text

20:13 - 20:19

comes in lens blur is a great effect for

20:16 - 20:20

this it's only available to members but

20:19 - 20:23

everyone can try it

20:20 - 20:25

with a video layer selected tap effects

20:23 - 20:27

then add effect to open the effects

20:25 - 20:30

browser you'll see that a light motion

20:27 - 20:31

has lots to choose from take a second if

20:30 - 20:34

you want to pause this tutorial and

20:31 - 20:37

check out what's available

20:34 - 20:38

now to apply the effect type lens blur

20:37 - 20:40

in the search bar and then select it

20:38 - 20:42

then tap standard settings

20:40 - 20:45

if you don't have an elite motion

20:42 - 20:46

membership just tap try it first when

20:45 - 20:48

given the option

20:46 - 20:50

we'll add a keyframe at the 15 frames

20:48 - 20:52

Mark and another at the one second Mark

20:50 - 20:54

here are the values we're using for each

20:52 - 20:58

keyframe but don't be afraid to adjust

20:54 - 20:58

them to make your project unique

21:07 - 21:12

the last thing we need to do is add some

21:09 - 21:14

music to our project to add an audio

21:12 - 21:17

clip tap on the add layer button then

21:14 - 21:18

choose audio you'll see some audio files

21:17 - 21:20

from your device and you can tap the

21:18 - 21:21

view all button if you'd like to see

21:20 - 21:23

more

21:21 - 21:25

feel free to add your own choice of

21:23 - 21:27

music to this project you can also find

21:25 - 21:28

the download link for the track we're

21:27 - 21:30

using in the description below

21:28 - 21:32

if you don't see the audio file you want

21:30 - 21:35

to use make sure it's in a folder that

21:32 - 21:37

can be accessed by a light motion or add

21:35 - 21:39

it to the music app on your device

21:37 - 21:41

please note that audio files with

21:39 - 21:43

copyright protection or those provided

21:41 - 21:45

by streaming service may not be

21:43 - 21:47

accessible to a light motion if you

21:45 - 21:49

don't see any audio files at all exit

21:47 - 21:52

the project and make sure that demo mode

21:49 - 21:54

is turned off also in the settings on

21:52 - 21:56

your device make sure that a light

21:54 - 21:58

motion can access your media files once

21:56 - 22:00

you've added the audio your project is

21:58 - 22:03

ready go ahead and play it back to see

22:00 - 22:04

what you've created not bad right

22:03 - 22:08

foreign

22:04 - 22:08

[Music]

22:09 - 22:13

animated gif or a sequence of images

22:11 - 22:16

from there you can save it to your

22:13 - 22:18

device or share it for the world to see

22:16 - 22:19

if you don't have ventilite motion

22:18 - 22:21

membership you'll just need to remove

22:19 - 22:23

lens blur from the background layer

22:21 - 22:25

before exporting

22:23 - 22:27

if you do share your project please use

22:25 - 22:30

the hashtag am getting started because

22:27 - 22:30

we'd love to see it

22:33 - 22:38

so now you know the basics of adding

22:35 - 22:40

images shapes and text as layers you

22:38 - 22:42

know how to animate them using keyframes

22:40 - 22:44

and easing and how to add effects for

22:42 - 22:46

Polish it's a great start

22:44 - 22:48

as you continue your editing Journey

22:46 - 22:50

maybe take some time to familiarize

22:48 - 22:53

yourself with the home and tutorial tabs

22:50 - 22:55

in a light motion the Home tab is where

22:53 - 22:56

you'll find news and updates about a

22:55 - 22:59

light motion straight from the source

22:56 - 23:02

and the tutorial tab contains in-depth

22:59 - 23:04

tutorial videos on various topics plus

23:02 - 23:06

essential tips and Sample projects to

23:04 - 23:08

download and follow

23:06 - 23:10

you'll also find a link to our user

23:08 - 23:12

guide and ever growing reference on the

23:10 - 23:15

light motion features and interface want

23:12 - 23:17

to learn more about a light motion head

23:15 - 23:18

over to our YouTube channel be sure to

23:17 - 23:21

like And subscribe to stay in the loop

23:18 - 23:23

about future tutorials and don't forget

23:21 - 23:24

to tell us what you think of this one in

23:23 - 23:26

the comments section below

23:24 - 23:28

and remember to show us your projects by

23:26 - 23:31

sharing them with the hashtag am getting

23:28 - 23:31

started

Creating Impressive Animations with Light Motion: Easy Steps to Success

In this detailed guide, we explore the world of animations using Light Motion on your phone. Discover how to animate basic layer types, apply effects, and add shadows to enhance the appeal of your projects. By following our tutorial, you'll be able to recreate stunning animations like the one in our nature video example.

Getting Started: Setting Up Your Project

To begin, tap the "New Project" button and choose a super cool name for your project. Opt for a 4x5 aspect ratio, ideal for social content such as Instagram posts. Set resolution to 1080P, frame rate to 30 fps, and a light gray background color.

Adding Layers and Adjusting Settings

Learn how to navigate the editing screen, where you can manage project settings and view a timeline showcasing key frames. Use the "Add Layer" button to introduce a variety of elements to your project, from shapes to text layers.

Tweaking the Snowflake: Color, Scale, and Timing

Start by adding a snowflake shape, adjust its color and scale, and set its appearance and disappearance timings. Move, transform, and fine-tune the snowflake layer to perfection.

Animating with Keyframes: Rotation, Scale, and Position

Explore the concept of keyframes and learn to animate rotation, scale, and position for your elements. Dive into the nuances of easing curves to create fluid and natural motions in your animations.

Bringing Text to Life: Adding, Adjusting, and Animating Text Layers

Discover how to add, style, and animate text layers like a pro. Learn to slide text in, apply fades, and align elements for a visually stunning outcome.

Enhancing Your Project: Adding Backgrounds, Effects, and Music

Delve into advanced techniques by adding backgrounds, shadows, effects like lens blur, and music to your project. Master layer ordering, shadow application, and audio integration for a professional touch.

Final Touches and Sharing Your Creation

Refine your animations by tweaking elements and ensuring smooth transitions between layers. When satisfied, share your masterpiece by exporting it as a gif or a sequence of images. Don't forget to hashtag #amgettingstarted to showcase your work!

In conclusion, mastering Light Motion opens up a world of creativity, offering endless possibilities for creating captivating animations. So, grab your phone, unleash your imagination, and let your animations come to life!